This is one of the first pieces I made with calligraphy pens and inks. It’s a view in Christie Pits in Toronto. You get bonus points if you can spot the random Johnny Walker shape.
ink on paper
6x9 inches
This guy was wearing a full leather biker outfit in summer. He accommodated me and held the pose. The only moving part was his hand so I gave him about three right hands.
ink on paper
5.5x8.5 inches
There are a bunch of these style sketches on this page. I don’t look at the page when creating the silhouettes. It breaks down very quickly if you never look at the page so I set the starting point and then outline the figure and repeat. I enjoy these pieces -the movement and atmosphere of the style is nice for the viewer.
ink on paper
3.5x5.5 inches
The not looking at the page style invites the viewer to interpret the forms themselves. I see a red child engaging the art they are seeing (excellent art) with their parent who has come down to the child’s level. I encourage you to look at these and decide what you think these figures are thinking.
ink on paper
6x9 inches
The crossing of arms (and sometimes legs) conveys to me that these people don’t have high regard for the show. In context it also suggests that they are probably racists.
ink on paper
6x9 inches
I scanned this piece and it needed editting see all the elements. This post production expands looks so there are two on this page to enjoy. These people are engaged and enjoying the show themselves.
ink on paper
6x9 inches
Maybe she did ask him what he thought of the piece, maybe she didn’t.
ink on paper
6x9 inches
This is the second altered photo.
ink on paper
6x9 inches
Playing with spatial distortion and transparency in this sketch of Paul at the Rhino.
ink on paper
4x6 inches
Some more spatial distortion here. The title and image portray a barfly pretty evocatively I think.
ink on paper
3.5x6 inches
Staring at people in public takes some subtlety and I haven’t been punched yet. I took the pose from this guy but I don’t think he was actually fretting. There is a nice ‘moment in time’ feel in this piece for me.
ink on paper
4x6 inches
This actually looks like Karl -a good job by me. He was an interesting guy who was quick to tell you that although he was German-born, that he was born after WWII.
ink on paper
4x6 inches
Another illustration of how I oversize hands. I got the soccer celebration pose pretty well.
ink on paper
3.5x6 inches
Scruffy Murphy’s was a busy place on hockey night. Lots of details in this that regulars would recognize.
ink on paper
3.5x5.5 inches
Studying has its poses and this is certainly one of them. I loved being a mature university student -it helped me be a better and smarter person.
ink on paper
4x6 inches
This guy was pretty hip.
ink on paper
3.5x5.5. inches
There’s a lot going on in this image. The guy in the bottom right was an unsettling character and it was interesting to see him sitting there with all the kids being loud and cheap.
ink on paper
3.5x6
I think if you had spent any time at the Rhino in the last ten years you would recognize Jo.
ink on paper
4x6 inches
I have since colored this piece. I like the composition.
ink on paper
6x4 inches
I look at this sketch (since colored) and see a puffery about the patrons.
ink on paper
4x6 inches
The guy in the cowboy hat is making a point and you can tell by how he stands his index finger on the bar -”I’ll tell you the problem with…”
ink on paper
3.5x5.5 inches
Another piece where I didn’t look at the page while sketching. It’s raw but nicely balanced.
ink on paper
5.5x8.5 inches
I usually retreated from the Rhino as it got busy but not always.
ink on paper
5.5x8.5 inches
I never envied the staff at the Rhino when it got slammed by cheap young patrons slumming it in Parkdale.
ink on paper
5.5x8.5 inches
Ted’s is a pretty grungy bar and it has a lot of good, interesting angles to draw. Spock doesn’t actually work there.
ink on paper
3.5x5.5 inches
I went to Einstein’s between classes at UofT and liked to draw when I wasn’t studying.
ink on paper
3.5x5.5 inches
Ted’s has interesting layers of depth as this sketch illustrates. Pun intended.
ink on paper
3.5x5.5 inches
I like this bright, fanciful and fluid sketch.
ink on paper
11x15 inches
Skeletons of giant extinct animals convey a scariness and even though they were herbivores, I would still be running away.
ink on paper
8x11 inches
There are a lot of interesting views for sketching at the brickworks.
ink on paper
3.5x5.5 inches
ink on paper
3.5x5.5 inches
It’s pretty bonkers that this thing could fly. It’s huge.
ink on paper
8x11 inches
A still life of jug, pint, tap and bottle of blue.
ink on paper
3.5x5.5 inches
ink on paper
6x8.5 inches
ink on paper
3.5x5.5 inches
ink on paper
3.5x5.5 inches
ink on paper
3.5x5.5 inches
I like the way the ‘don’t look at the page’ combines with quick, washy coloring
ink on paper
5.5x8.5 inches
This simple piece is well framed. I like the simple tone variety as well.
ink on paper
5.5x8.5 inches
When you don’t look at the page, you get some interesting results to exploit. I like how their arms are so wildly distorted and it still works.
ink on paper
3.5x5.5 inches
I generally did not like the art they put on the walls at the Rhino so I never drew any of them. So I just randomly sketched and colored these and I would love to actually massively up-size them. I tried to do the one on the right but I fucked it up….someday
ink on paper
3.5x5.5 inches
You have seen this woman on the subway if you have been on a subway.
ink on paper
4x6 inches
Again, this method can make the people at the Rhino look sort of high class and I don’t know why. There is a neat looking motion to the figures. like the weird pink guy in the background too.
ink on paper
6x9 inches
When you draw at the bar during the day, you tend to draw the staff. It’s also useful because they tend to come back to the same positions repeatedly.
ink on paper
6x9 inches
I like how Sara looks like she is conjuring magic as she writes because writing is magical.
ink on paper
11x15 inches
If you like big oaks in an urban park, Queens Park Circle has a bunch of them.
ink on paper
3.5x5.5 inches
Ted’s has some really nice vantages. The composition makes itself
ink on paper
3.5x5.5 inches
Bosco liked to sit at the end of the bar. I think it was his spot -like Cliff and Norm.
ink on paper
3.5x5.5 inches
These sculptures have lots of great angles to draw.
ink on paper
9x12 inches
The guy is Mark and I think that was his girlfriend.
ink on paper
3.5x5.5 inches
I do like the look of Moore’s sculptures from the back view.
ink on paper
3.5x5.5 inches
there are times when you get the feeling that the people don’t want you looking at them and drawing so you don’t.
ink on paper
3.5x5.5 inches
This is an example of practice in drawing what is in front of you.
ink on paper
3.5x5.5 inches
I think this was Ashlynn but she doesn’t look like that really.
ink on paper
6x8.5 inches
This server had a very cute gap between her front two teeth. I had a bit of a crush.
ink on paper
6x9 inches
I really enjoy drawing at art galleries. The best part is the people who are looking at the art (or not).
ink on paper
6x8 inches
The body language of the figures engaging with art is fascinating to observe.
ink on paper
6x8 inches
This is people waiting for my mom to start a tour at the Gardiner Museum.
ink on paper
6x8 inches
My mom is awesome. Here she is telling the tour about gold artifacts from South America.
ink on paper
6x8 inches
This a nicely composed and colored piece.
ink on paper
6x8 inches
These images show my mom taking charge and informing this group about the exhibit.
ink on paper
6x8 inches
This is my mom explaining something to some guys who thought they knew what they were talking about but didn’t.
ink on paper
6x8 inches
I kinda like how the glass cases work.
ink on paper
6x8 inches
I think you would know this was a guitar if you didn’t see the title which is cool.
ink on paper
6x9 inches
The pose was inspired by Putin.
acrylic on canvas paper
16x20 inches
Toulouse Lautrec had very cool eyes and hand. He has such a distinctive style.
ink on paper
9x12 inches
ink on paper
9x12 inches
I drew this from the back of the van when I worked with Cluck and Pike.
ink on paper
9x12 inches
Bands are pretty good to draw because they hold the pose!
ink on paper
9x12 inches
ink on paper
9x12 inches
This was the baseball fencing in the winter. I guess the focal point is the garbage.
ink on paper
9x12 inches
I’ve only tried this washy technique this one time. It has potential to include a lot of details while also under-emphasizing those details and challenging the viewer to see more.
ink on paper
11x15 inches
This piece looks like a drawing of a sculpture to me but it isn’t.
ink on paper
9x12 inches
We can all have a variety of moods.
ink on paper
9x12 inches
ink on paper
9x12 inches
Even the devil can be confused.
ink on paper
9x12 inches
I guess technically the devil’s master is god. And in this case the devil is a horse man.
ink on paper
6x9 inches
Here is a news anchor with a seventies haircut.
ink on paper
9x12 inches
This is a nervous French police officer witnessing a drug deal.
ink on paper
9x12 inches
ink on paper
9x12 inches
The central figure in this image is inspired by a woman I worked with named Dusty.
ink on paper
9x12 inches
ink on paper
9x12 inches
We see China as monolithic and they surely aren’t.
ink on paper
9x12 inches
If the offense moves consistently through these lanes and controls the puck from behind the net, the goalie is fucked.
ink on paper
9x12 inches
baseball is good to draw because you get the same views over and over again.
ink on paper
9x12 inches
ink on paper
7x9.5 inches
Sports pundits do a lot of talking.
ink on paper
9x12 inches
These ladies are here for eachother.
ink on paper
9x12 inches
Thomas Kaberle was a good player but he did not score a lot.
ink on paper
9x12 inches
The emotions of tennis are great.
ink on paper
9x12 inches
ink on paper
9x12 inches
You can stare at this piece a while and see all sorts of things.
ink on paper
9x12 inches
This piece is the wounding of the peace dove.
pencil crayon on paper
9x12 inches
ink on paper
9x12 inches
ink on paper
7x10 inches
ink on paper
7x10 inches
ink on paper
9x12 inches
ink on paper
9x12 inches
ink on paper
7x7 inches
ink on paper
9x12 inches
I like the free-flowing energy in this piece. This particular ink bleeds a little when re-wetted which also has a certain effect.
ink on paper
5.5x7.5 inches
Sometimes I like to distort figures so they basically fill out the dimensions of the page. It has an appealing effect. It has a simple, attractive composition too.
ink on paper
6x9 inches
I get the pose when I look at this piece. So I did an alright job drawing the drape of the sheet between Sara’s foot and the back of her head.
ink on paper
4x6 inches
Just a quick sketch from our apartment on Dupont. I believe the pose is called ‘seated air guitar’.
ink on paper
6x9 inches
I sketched this waiting for laundry on Christie
ink on paper
6x9 inches
We had a long narrow apartment on Dupont. Looking at this picture, I just remembered that the window looked directly into our neighbors bathroom -they had curtains
ink on paper
6x9 inches
It just turned out that these people look snooty. People in the Rhino are rarely wealthy.
ink on paper
4x6 inches
Color version of the staff doing their thing. Color blocks are nice looking -got that Matisse singular spash of yellow.
ink on paper
4x6 inches
This is one of the first pieces I made with calligraphy pens and inks. It’s a view in Christie Pits in Toronto. You get bonus points if you can spot the random Johnny Walker shape.
ink on paper
6x9 inches
This guy was wearing a full leather biker outfit in summer. He accommodated me and held the pose. The only moving part was his hand so I gave him about three right hands.
ink on paper
5.5x8.5 inches
There are a bunch of these style sketches on this page. I don’t look at the page when creating the silhouettes. It breaks down very quickly if you never look at the page so I set the starting point and then outline the figure and repeat. I enjoy these pieces -the movement and atmosphere of the style is nice for the viewer.
ink on paper
3.5x5.5 inches
The not looking at the page style invites the viewer to interpret the forms themselves. I see a red child engaging the art they are seeing (excellent art) with their parent who has come down to the child’s level. I encourage you to look at these and decide what you think these figures are thinking.
ink on paper
6x9 inches
The crossing of arms (and sometimes legs) conveys to me that these people don’t have high regard for the show. In context it also suggests that they are probably racists.
ink on paper
6x9 inches
I scanned this piece and it needed editting see all the elements. This post production expands looks so there are two on this page to enjoy. These people are engaged and enjoying the show themselves.
ink on paper
6x9 inches
Maybe she did ask him what he thought of the piece, maybe she didn’t.
ink on paper
6x9 inches
This is the second altered photo.
ink on paper
6x9 inches
Playing with spatial distortion and transparency in this sketch of Paul at the Rhino.
ink on paper
4x6 inches
Some more spatial distortion here. The title and image portray a barfly pretty evocatively I think.
ink on paper
3.5x6 inches
Staring at people in public takes some subtlety and I haven’t been punched yet. I took the pose from this guy but I don’t think he was actually fretting. There is a nice ‘moment in time’ feel in this piece for me.
ink on paper
4x6 inches
This actually looks like Karl -a good job by me. He was an interesting guy who was quick to tell you that although he was German-born, that he was born after WWII.
ink on paper
4x6 inches
Another illustration of how I oversize hands. I got the soccer celebration pose pretty well.
ink on paper
3.5x6 inches
Scruffy Murphy’s was a busy place on hockey night. Lots of details in this that regulars would recognize.
ink on paper
3.5x5.5 inches
Studying has its poses and this is certainly one of them. I loved being a mature university student -it helped me be a better and smarter person.
ink on paper
4x6 inches
This guy was pretty hip.
ink on paper
3.5x5.5. inches
There’s a lot going on in this image. The guy in the bottom right was an unsettling character and it was interesting to see him sitting there with all the kids being loud and cheap.
ink on paper
3.5x6
I think if you had spent any time at the Rhino in the last ten years you would recognize Jo.
ink on paper
4x6 inches
I have since colored this piece. I like the composition.
ink on paper
6x4 inches
I look at this sketch (since colored) and see a puffery about the patrons.
ink on paper
4x6 inches
The guy in the cowboy hat is making a point and you can tell by how he stands his index finger on the bar -”I’ll tell you the problem with…”
ink on paper
3.5x5.5 inches
Another piece where I didn’t look at the page while sketching. It’s raw but nicely balanced.
ink on paper
5.5x8.5 inches
I usually retreated from the Rhino as it got busy but not always.
ink on paper
5.5x8.5 inches
I never envied the staff at the Rhino when it got slammed by cheap young patrons slumming it in Parkdale.
ink on paper
5.5x8.5 inches
Ted’s is a pretty grungy bar and it has a lot of good, interesting angles to draw. Spock doesn’t actually work there.
ink on paper
3.5x5.5 inches
I went to Einstein’s between classes at UofT and liked to draw when I wasn’t studying.
ink on paper
3.5x5.5 inches
Ted’s has interesting layers of depth as this sketch illustrates. Pun intended.
ink on paper
3.5x5.5 inches
I like this bright, fanciful and fluid sketch.
ink on paper
11x15 inches
Skeletons of giant extinct animals convey a scariness and even though they were herbivores, I would still be running away.
ink on paper
8x11 inches
There are a lot of interesting views for sketching at the brickworks.
ink on paper
3.5x5.5 inches
ink on paper
3.5x5.5 inches
It’s pretty bonkers that this thing could fly. It’s huge.
ink on paper
8x11 inches
A still life of jug, pint, tap and bottle of blue.
ink on paper
3.5x5.5 inches
ink on paper
6x8.5 inches
ink on paper
3.5x5.5 inches
ink on paper
3.5x5.5 inches
ink on paper
3.5x5.5 inches
I like the way the ‘don’t look at the page’ combines with quick, washy coloring
ink on paper
5.5x8.5 inches
This simple piece is well framed. I like the simple tone variety as well.
ink on paper
5.5x8.5 inches
When you don’t look at the page, you get some interesting results to exploit. I like how their arms are so wildly distorted and it still works.
ink on paper
3.5x5.5 inches
I generally did not like the art they put on the walls at the Rhino so I never drew any of them. So I just randomly sketched and colored these and I would love to actually massively up-size them. I tried to do the one on the right but I fucked it up….someday
ink on paper
3.5x5.5 inches
You have seen this woman on the subway if you have been on a subway.
ink on paper
4x6 inches
Again, this method can make the people at the Rhino look sort of high class and I don’t know why. There is a neat looking motion to the figures. like the weird pink guy in the background too.
ink on paper
6x9 inches
When you draw at the bar during the day, you tend to draw the staff. It’s also useful because they tend to come back to the same positions repeatedly.
ink on paper
6x9 inches
I like how Sara looks like she is conjuring magic as she writes because writing is magical.
ink on paper
11x15 inches
If you like big oaks in an urban park, Queens Park Circle has a bunch of them.
ink on paper
3.5x5.5 inches
Ted’s has some really nice vantages. The composition makes itself
ink on paper
3.5x5.5 inches
Bosco liked to sit at the end of the bar. I think it was his spot -like Cliff and Norm.
ink on paper
3.5x5.5 inches
These sculptures have lots of great angles to draw.
ink on paper
9x12 inches
The guy is Mark and I think that was his girlfriend.
ink on paper
3.5x5.5 inches
I do like the look of Moore’s sculptures from the back view.
ink on paper
3.5x5.5 inches
there are times when you get the feeling that the people don’t want you looking at them and drawing so you don’t.
ink on paper
3.5x5.5 inches
This is an example of practice in drawing what is in front of you.
ink on paper
3.5x5.5 inches
I think this was Ashlynn but she doesn’t look like that really.
ink on paper
6x8.5 inches
This server had a very cute gap between her front two teeth. I had a bit of a crush.
ink on paper
6x9 inches
I really enjoy drawing at art galleries. The best part is the people who are looking at the art (or not).
ink on paper
6x8 inches
The body language of the figures engaging with art is fascinating to observe.
ink on paper
6x8 inches
This is people waiting for my mom to start a tour at the Gardiner Museum.
ink on paper
6x8 inches
My mom is awesome. Here she is telling the tour about gold artifacts from South America.
ink on paper
6x8 inches
This a nicely composed and colored piece.
ink on paper
6x8 inches
These images show my mom taking charge and informing this group about the exhibit.
ink on paper
6x8 inches
This is my mom explaining something to some guys who thought they knew what they were talking about but didn’t.
ink on paper
6x8 inches
I kinda like how the glass cases work.
ink on paper
6x8 inches
I think you would know this was a guitar if you didn’t see the title which is cool.
ink on paper
6x9 inches
The pose was inspired by Putin.
acrylic on canvas paper
16x20 inches
Toulouse Lautrec had very cool eyes and hand. He has such a distinctive style.
ink on paper
9x12 inches
ink on paper
9x12 inches
I drew this from the back of the van when I worked with Cluck and Pike.
ink on paper
9x12 inches
Bands are pretty good to draw because they hold the pose!
ink on paper
9x12 inches
ink on paper
9x12 inches
This was the baseball fencing in the winter. I guess the focal point is the garbage.
ink on paper
9x12 inches
I’ve only tried this washy technique this one time. It has potential to include a lot of details while also under-emphasizing those details and challenging the viewer to see more.
ink on paper
11x15 inches
This piece looks like a drawing of a sculpture to me but it isn’t.
ink on paper
9x12 inches
We can all have a variety of moods.
ink on paper
9x12 inches
ink on paper
9x12 inches
Even the devil can be confused.
ink on paper
9x12 inches
I guess technically the devil’s master is god. And in this case the devil is a horse man.
ink on paper
6x9 inches
Here is a news anchor with a seventies haircut.
ink on paper
9x12 inches
This is a nervous French police officer witnessing a drug deal.
ink on paper
9x12 inches
ink on paper
9x12 inches
The central figure in this image is inspired by a woman I worked with named Dusty.
ink on paper
9x12 inches
ink on paper
9x12 inches
We see China as monolithic and they surely aren’t.
ink on paper
9x12 inches
If the offense moves consistently through these lanes and controls the puck from behind the net, the goalie is fucked.
ink on paper
9x12 inches
baseball is good to draw because you get the same views over and over again.
ink on paper
9x12 inches
ink on paper
7x9.5 inches
Sports pundits do a lot of talking.
ink on paper
9x12 inches
These ladies are here for eachother.
ink on paper
9x12 inches
Thomas Kaberle was a good player but he did not score a lot.
ink on paper
9x12 inches
The emotions of tennis are great.
ink on paper
9x12 inches
ink on paper
9x12 inches
You can stare at this piece a while and see all sorts of things.
ink on paper
9x12 inches
This piece is the wounding of the peace dove.
pencil crayon on paper
9x12 inches
ink on paper
9x12 inches
ink on paper
7x10 inches
ink on paper
7x10 inches
ink on paper
9x12 inches
ink on paper
9x12 inches
ink on paper
7x7 inches
ink on paper
9x12 inches
I like the free-flowing energy in this piece. This particular ink bleeds a little when re-wetted which also has a certain effect.
ink on paper
5.5x7.5 inches
Sometimes I like to distort figures so they basically fill out the dimensions of the page. It has an appealing effect. It has a simple, attractive composition too.
ink on paper
6x9 inches
I get the pose when I look at this piece. So I did an alright job drawing the drape of the sheet between Sara’s foot and the back of her head.
ink on paper
4x6 inches
Just a quick sketch from our apartment on Dupont. I believe the pose is called ‘seated air guitar’.
ink on paper
6x9 inches
I sketched this waiting for laundry on Christie
ink on paper
6x9 inches
We had a long narrow apartment on Dupont. Looking at this picture, I just remembered that the window looked directly into our neighbors bathroom -they had curtains
ink on paper
6x9 inches
It just turned out that these people look snooty. People in the Rhino are rarely wealthy.
ink on paper
4x6 inches
Color version of the staff doing their thing. Color blocks are nice looking -got that Matisse singular spash of yellow.
ink on paper
4x6 inches